000 | 03321cam a2200481 a 4500 | ||
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001 | ocn641506666 | ||
003 | OCoLC | ||
005 | 20180827161316.0 | ||
008 | 100917s2011 inua b s001 0 eng | ||
010 | _a 2010037827 | ||
016 | 7 |
_a015776985 _2Uk |
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020 | _a9780253356185 (cloth : alk. paper) | ||
020 | _a0253356180 (cloth : alk. paper) | ||
020 | _a9780253223012 (pbk. : alk. paper) | ||
020 | _a0253223016 (pbk. : alk. paper) | ||
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035 | _a(OCoLC)641506666 | ||
040 |
_aNZ1 _beng _cNZ1 _dDLC _dYDX _dBTCTA _dYDXCP _dIUP _dBWX _dUKMGB _dMIX _dIAD _dCIA _dBDX _dA7U _dZAD _dNYWWB _dCHVBK _dOCLCF _dGBVCP _dMMV _dTFW _dOCLCO _dOCLCA _dFCE |
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042 | _anznb | ||
043 | _au-nz--- | ||
050 | 0 | 0 |
_aPN1998.3.C3545 _bF69 2011 |
082 | 0 | 0 |
_a791.430233092 _aB _222 |
100 |
_aFox, Alistair. _941232 |
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245 | 1 | 0 |
_aJane Campion : _bauthorship and personal cinema / _cAlistair Fox. |
260 |
_aBloomington : _bIndiana University Press, _cc2011. |
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300 |
_axii, 269 p. : _bill. ; _c23 cm. |
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500 | _aJane Campion is a New Zealand filmmaker. | ||
504 | _aIncludes bibliographical references (p. 233-262) and index. | ||
505 | 0 | _aIntroduction: authorship, creativity, and personal cinema -- Origins of a problematic: the Campion family -- The "tragic underbelly" of the family: fantasies of transgression in the early films -- Living in the shadow of the family tree: Sweetie -- "How painful it is to have a family member with a problem like that": authorship as creative adaptation in An angel at my table -- Traumas of separation and the encounter with the phallic other: The piano -- The misfortunes of an heiress: The portrait of a lady -- Exacting revenge on "cunt men": Holy smoke as sexual fantasy -- "That which terrifies and attracts simultaneously": Killing daddy in the cut -- Lighting a lamp: loss, art, and transcendence in The water diary and Bright star -- Conclusion: theorizing the personal component of authorship. | |
520 | _a"Alistair Fox explores the dynamics of the creative process involved in cinematic representation in the films of Jane Campion, one of the most highly regarded of contemporary filmmakers. Utilizing a wealth of new material--including interviews with Campion and her sister and personal writings of her mother--Fox traces the connections between the filmmaker's complex background and the thematic preoccupations of her films, from her earliest short, Peel, to 2009's Bright Star. He establishes how Campion's deep investment in family relationships informs her aesthetic strategies, revealed in everything from the handling of shots and lighting, to the complex system of symbolic images repeated from one film to the next"--Publisher description. | ||
600 | 0 |
_aCampion, Jane, _d1954- _xCriticism and interpretation. _941233 |
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650 | 0 |
_aWomen motion picture producers and directors _zNew Zealand. _941234 |
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776 | 0 | 8 |
_iOnline version: _aFox, Alistair. _tJane Campion. _dBloomington : Indiana University Press, ©2011 _w(OCoLC)929536015 |
942 |
_2ddc _cNONFIC |
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948 | _hHELD BY NZWMT - 411 OTHER HOLDINGS | ||
999 |
_c23778 _d23778 |