| 000 | 01926cam a2200385Mi 4500 | ||
|---|---|---|---|
| 001 | on1429629638 | ||
| 003 | OCoLC | ||
| 005 | 20240925155501.0 | ||
| 007 | ta | ||
| 008 | 240216s2024 xna e b 000 1 eng d | ||
| 020 |
_a9781761471001 _q(pbk.) |
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| 020 |
_a1761471007 _q(pbk.) |
||
| 029 | 0 |
_aAU@ _b000076284195 |
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| 029 | 1 |
_aAU@ _b000076590800 |
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| 029 | 1 |
_aAU@ _b000077614453 |
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| 029 | 1 |
_aAU@ _b000076576973 |
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| 035 |
_a(OCoLC)1429629638 _z(OCoLC)1434169701 |
||
| 040 |
_aAU@ _beng _cAU@ _erda _dAUNTL _dOCLCO |
||
| 042 | _aanuc | ||
| 082 | 0 | 4 |
_a813.6 _223 |
| 100 |
_aPicoult, Jodi, _d1966- _eauthor. _923081 |
||
| 245 | 1 | 0 |
_aBy any other name / _cJodi Picoult. |
| 260 |
_aSydney : _b Allen & Unwin, _c2024 |
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| 300 |
_a525 pages ; _c24 cm. |
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| 504 | _aIncludes bibliographical references. | ||
| 520 | _aIn 1581, Emilia Bassano is allowed no voice of her own. But as the Lord Chamberlain's mistress she has access to the theatre and finds a way to bring her work to the stage secretly. But creating some of the world's greatest dramatic masterpieces comes at a cost: by paying a man for the use of his name, she will write her own out of history. His name? William Shakespeare. In present day Manhattan, playwright Melina Green has written a new work inspired by the life of her Elizabethan ancestor Emilia Bassano. Although the challenges are different four hundred years later, the playing field is still not level for women in theatre. Is Melina—like Emilia—willing to forfeit her credit as author, to see her work performed? | ||
| 600 | 0 |
_aLanyer, Aemilia _vFiction. _955539 |
|
| 650 | 0 |
_aDramatists _vFiction. _911823 |
|
| 650 | 0 |
_aSikh women _xSocial conditions _vFiction. _911672 |
|
| 650 | 0 |
_aAmbition _vFiction. _95622 |
|
| 655 | 7 |
_aHistorical fiction. _2lcgft _943610 |
|
| 655 | 7 |
_aBiographical fiction. _2lcgft _910435 |
|
| 942 |
_2ddc _cFIC |
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| 948 | _hHELD BY NZWMT - 133 OTHER HOLDINGS | ||
| 999 |
_c50194 _d50194 |
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